It was a feature that we would see often in their songs where a fantastic core melody was bolstered by catchy interludes. At the core of the song was a wonderful melody but what made it truly great was the catchy opening string section and the saxophone interludes.
My pick from the film is the song that I think was closest to Kalyanji–Anandji’s true voice- ‘Mere Toote Hue Dil Se’.ĭil Bhi Tera Hum Bhi Tere had some nice songs but ‘Mujhko Is Raat Ki Tanhai Mein Awaz Na Do’ towered over everything else. Possibly because the film had Raj Kapoor in a lead role and given their admiration for Shankar–Jaikishan’s music, the duo composed the kind of folksy, simple tunes that had come to be associated with Raj Kapoor’s collaborations with Shankar-Jaikishan. Their first big hit, Chhalia, could easily be mistaken for a Shankar–Jaikishan score. To mark the 88 th birth anniversary of Kalyanji on June 30, I pick 10 of Kalyanji–Anandji’s most memorable albums showcasing the evolution of their music.Īfter a few films in which only Kalyanji was credited as music director, the brothers first got together to compose film music in 1959. While Shankar–Jaikishan began to sound laboured in the late 1960s and Laxmikant–Pyarelal’s music became dated and formulaic in the late 1970s and 1980s, Kalyanji–Anandji produced fresh, contemporary music in every decade of their career. What set them apart was their flair for reinventing themselves with changing times. Unlike Shankar-Jaikishan, Kalyanji–Anandji did not have the blessings of a big banner. The length of their career more or less matched Laxmikant-Pyarelal’s but in that time they made music for only half as many films as LP. Shankar–Jaikishan were known for their ability to consistently produce hits in the 1950s and 1960s, especially for RK films, and Laxmikant–Pyarelal were known for their prolificacy and were considered one of the most commercially bankable composers. Kalyanji–Anandji were more like slow burners. Kalyanji–Anandji were perhaps the most underrated composers among the three. They formed a bridge between Shankar–Jaikishan, whom they drew inspiration from in the beginning of their career, and Laxmikant–Pyarelal, who served as Kalyanji–Anandji’s assistants before striking out on their own. Aiysha Saagar creates a storm with her ability to sing in Hindi, Punjabi and English as well as her mind-blowing high-energy stage performance.Kalyanji–Anandji, comprising of brothers Kalyanji Virji Shah and Anandji Virji Shah, were the second of the triumvirate of music director duos who ruled the Hindi film industry from the 1950s to the 1970s. She won awards and nominated as Undisputed Queen Of Indian/Punjabi Music In Australia And The South Pacific. Aiysha is the first Indian to be endorsed as the Ambassador of Australia’s Gold Coast to India and the globe. She has been compared to Shakira and Lady Gaga however this talented artist has her own individual style and attitude with which she delivers her music. She released music albums in India and Australia and has performed in over 300 concerts around the world. She is qualified as an Accountant and Financial Planner. She loves music and started her career at early age 6. Born on 6th January 1980, an Indian origin lives in Australia.
#YE MERA DIL PYAR KA DEEWANA MEANING FULL#
Read Full Bio Aiysha Saagar is a Pop artist, performer/dancer.
Aiysha Saagar is a Pop artist, performer/dancer.